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X-WR-CALDESC:Events for Cambridge Summer Music
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210917
DTEND;VALUE=DATE:20210918
DTSTAMP:20210823T095940Z
CREATED:20210403T132800Z
LAST-MODIFIED:20210823T095940Z
UID:197-1631836800-1631923199@cambridgesummermusic.com
SUMMARY:2021 Festival Opening Concert
DESCRIPTION:Faust Chamber Orchestra\nTasmin Little (Narrator)\nMark Austin (Conductor)\n5:00 pm & 7:30pm\, £22\, Free for 16 and Under\n  \nSaint-Saëns Carnival of the Animals 30′\nCharlotte Harding New work (world première) 5-7′\nDvorak Serenade for Strings 30′\nRimsky-Korsakov Flight of the Bumblebee (arr. Austin) 3′ \nThis performance will happen twice \n\nA summer holiday in music\, the melodious charm of Dvorak’s ‘Serenade for Strings’ draws you in right from its first\, sun-kissed theme. This song to the human soul is paired with a comic portrait of the animal kingdom: ‘Carnival of the Animals’ by Camille Saint-Saéns. Narrated by acclaimed violinist Tasmin Little\, this is sure to be an exhilarating experience. In a rare opportunity to hear a world premiere twice in one day\, the concert also presents a nature-inspired commission by the young British composer Charlotte Harding\, a rising star on the classical scene. Mark Austin conducts the virtuosic Faust Chamber Orchestra in the launch concert for this year’s CSM Summer Music Festival.
URL:https://cambridgesummermusic.com/event/festival-opening-2021/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/png:https://cambridgesummermusic.com/wp-content/uploads/2021/05/Opening-Concert-Image-web.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210731
DTEND;VALUE=DATE:20210801
DTSTAMP:20210823T100008Z
CREATED:20210503T230000Z
LAST-MODIFIED:20210823T100008Z
UID:224119-1627689600-1627775999@cambridgesummermusic.com
SUMMARY:2021 Festival Finale Concert
DESCRIPTION:Faust Chamber OrchestraDavid Hill (Conductor)\n£22\, Free for 16 and Under 6:00pm & 8:00pm\n \nDebussy Prélude a l’après-midi (arr Farrington)Delius Paris: Song of a Great City (arr Farrington)Dukas Sorcerer’s Apprentice (arr Farrington)Gershwin An American in Paris (arr Farrington) \nConcert duration 1 hour \nThis performance will happen twice \n\n \nFor this year’s Cambridge Summer Music Festival Finale we welcome back Faust Chamber Orchestra under the baton of David Hill. \nAt the heart of this programme lies the epic ‘Paris: Song of a Great City’ composed by Frederick Delius in 1900. Often thought of as the first of his later masterpieces\, Paris is a subtle impressionist tone picture\, generally contemplative with atmospheric tranquillity interspersed with exciting episodes of bold emotions. Originally scored for a large symphony orchestra we have commissioned the brilliant Iain Farrington to arrange this work for smaller forces. \nCambridge Summer Music thanks the Delius Trust for its generous financial support of this performance.
URL:https://cambridgesummermusic.com/event/festival-finale-2021/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/04/Festival-Finale-2021-16x9-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210724T200000
DTEND;TZID=Europe/London:20210724T210000
DTSTAMP:20210823T100015Z
CREATED:20210528T122609Z
LAST-MODIFIED:20210823T100015Z
UID:225186-1627156800-1627160400@cambridgesummermusic.com
SUMMARY:Joanna MacGregor: Grounds and Chaconnes
DESCRIPTION:Joanna MacGregor (piano)\n8:00pm\, £22\, Free for 16 and Under\n  \nGibbons Whoope\, doe me no harme\, good man\nGibbons The woods so wilde\nWilliam Byrd Hughe Ashton’s Ground (The Fitzwilliam Virginal Book)\n Phillip Glass (b. 1937)  Prophecies (Koyaanisqatsi)\nPurcell Ground in C minor ZD 221\nArvo Pärt Für Alina\nFazil Say Black Earth\nWilliam Byrd First Pavane (My Lady Nevells Booke)\nPhilip Glass Knee Play no.4 (Einstein on the Beach)\nJohann Pachelbel Ciacona in F minor\nHandel Passacaglia (Suite no.7 in G minor) \nConcert duration 60 minutes \n\nIn her second concert of the evening\, Joanna MacGregor leads us through the shifting repetitions of grounds bases and chaconnes\, including works by William Byrd\, Orlando Gibbons\, Philip Glass and Turkish composer Fazil Say and his prepared piano.
URL:https://cambridgesummermusic.com/event/joanna-macgregor-grounds-birds-and-chaconnes/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/05/joanna-macgregor-goldbergs-sq-1024x816-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210724T180000
DTEND;TZID=Europe/London:20210724T190000
DTSTAMP:20210823T100015Z
CREATED:20210416T123424Z
LAST-MODIFIED:20210823T100015Z
UID:224383-1627149600-1627153200@cambridgesummermusic.com
SUMMARY:Joanna MacGregor: Call of the Birds
DESCRIPTION:Joanna MacGregor (piano)\n6:00pm\, £22\, Free for 16 and Under\n  \nJean- Philippe Rameau Le Rappel des Oiseaux\nLouis-Claude Daquin Le Coucou\nFrançois Couperin Le Rossignol en Amour\n Janáček  The Barn Owl has not Flown Away! (On an Overgrown Path)\nMessiaen Le Rouge-gorge (Petites esquisses d’oiseaux)\nHarrison Birtwistle (b.1934) Ookooing Bird\nCouperin Les Fauvettes Plaintives\nMessiaen Le Merle noir (Petites esquisses d’oiseaux)\nRavel Oiseaux Tristes (Miroirs)\nHossein Alizâdeh (b.1951) Call of the Birds\nCouperin Les Coucous Béneévoles\, sous des Dominos jaunes\nAlessandro Poglietti (ca.1600-83) Aria bizarre del Rossignolo: Imitatione del medesimo ucello\nJean- Philippe Rameau La Poule \nConcert duration 60 minutes
URL:https://cambridgesummermusic.com/event/joanna-macgregor-grounds-birds-and-chaconnes-2/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/05/joanna-macgregor-goldbergs-sq-1024x816-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210723
DTEND;VALUE=DATE:20210724
DTSTAMP:20210823T095947Z
CREATED:20210407T151327Z
LAST-MODIFIED:20210823T095947Z
UID:223784-1626998400-1627084799@cambridgesummermusic.com
SUMMARY:Consone Quartet
DESCRIPTION:Agata Daraškaite (violin)\nMagdalena Loth-Hill (violin)\nElitsa Bogdanova (viola)\nGeorge Ross (cello)\n6:00pm & 8:00pm\, £20\, Free for 25’s and Under\n  \nHaydn String Quartet Op.33\, No.4\nSchumann String Quartet Op.41 No.1 \nConcert duration 1 hour \nThis performance will happen twice \nThis concert is a replacement for the Chiaroscuro Quartet who have sadly had to pull out of the festival due to Coronavirus travel regulations. \n\nThe first period instrument quartet to be selected as BBC New Generation Artists\, the Consone Quartet are fast making a name for themselves with their honest and expressive interpretations of classical and early romantic repertoire. Their debut CD (released in 2018 on the French Ambronay Label) explores music by Haydn and Mendelssohn\, and was met with great critical acclaim as a recording “that instantly leaps out of the stereo at you as something special” (The Strad\, 2019). \nFormed in 2012 at the Royal College of Music in London\, the Consone Quartet are winners of the 2016 Royal Over-Seas League Ensemble Prize in London\, having previously been awarded two prizes at the 2015 York Early Music International Young Artists Competition\, including the EUBO Development Trust Prize and a place on the EEEmerging Scheme in France. \nThe quartet has been enthusiastically received at London’s Wigmore Hall\, King’s Place\, St Martin-in-the-Fields and at the Edinburgh\, Cheltenham\, and King’s Lynn Festivals amongst others. The Brighton and York Early Music Festivals have been loyal Consone supporters over the past few years and regularly host the group. \n  \nKeen to enhance their international reputation\, the quartet has performed at the Paris Philharmonie String Quartet Biennial and the Lyon Auditorium in France\, at the Concertgebouw\, Brugge and AMUZ in Belgium\, twice at the REMA Showcase\, the Concerts d’été à St Germain in Switzerland and at other venues in Italy\, Austria\, Bulgaria\, Slovenia\, as well as on tour in Bolivia and Peru. \nConsone enjoy regular collaborations with members of the Hanover Band and other fellow musicians\, most recently Anneke Scott\, Gwilym Bowen\, Paolo Zanzu\, Mary Bevan and Alexander Rolton. The quartet has previously worked with students of the Royal College of Music and the Royal Welsh College of Music and Drama\, and are currently chamber music fellows at the Guildhall School of Music and Drama for 2020/2021. \n2021 sees the group returning to the Wigmore Hall\, Buxton and Cheltenham Festivals\, touring in Japan and the north of England and Scotland\, as well as a ‘Consone & Friends’ BBC Radio 3 series from the Dora Stoutzker Hall in Cardiff. The quartet is also curating a new online series of three concerts in barns\, entitled ‘Barnstrorming!’. The project is kindly supported by the Continuo Foundation.
URL:https://cambridgesummermusic.com/event/consone-quartet/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/06/6-Photo-by-@bekor_-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210722T203000
DTEND;TZID=Europe/London:20210722T213000
DTSTAMP:20210823T095947Z
CREATED:20210413T182644Z
LAST-MODIFIED:20210823T095947Z
UID:224049-1626985800-1626989400@cambridgesummermusic.com
SUMMARY:Messiaen: Quartet for the End of Time
DESCRIPTION:Freya Goldmark (violin)\nBen Tarlton (cello)\nJoseph Shiner (clarinet)\nBengt Forsberg (piano)\n8:30pm\, £18\, Free for 25’s and Under\n  \nMessiaen Quartet for the End of Time \nConcert duration 1 hour \n\nIf ever there was a piece of chamber music that could be described as a masterpiece in its composer’s lifetime\, this is it. First performed by Messiaen and three fellow prisoners in a German prisoner of war camp in January 1941 to an audience of 5000\, Quartet for the End of Time remains to this day one of the staples of the chamber music repertoire \n  \nClarinettist Joseph Shiner regularly appears at venues and festivals around the United Kingdom and internationally\, with recent engagements at Wigmore Hall\, Kings Place\, Bridgwater Hall\, Snape Maltings\, Holywell Music Room and Barbican Centre\, as well as the Oxford Lieder and St Magnus International festivals. His awards include the Hattori Foundation Senior Award\, the Philip and Dorothy Green Award (for Young Concert Artists)\, and the Worshipful Company of Musicians’ Prince’s Prize. A selected artist for Making Music and the City Music Foundation\, he has also appeared several times on BBC Radio 3’s ‘In Tune’ programme\, as well as in BBC Music Magazine’s ‘Rising Star’ feature.\nAs a chamber musician Joseph has enjoyed collaborations with Maiastra\, the Allegri and Endellion quartets\, and with pianists Somi Kim\, Keval Shah\, James Baillieu\, Christopher Glynn\, Sholto Kynoch and Ashley Fripp. In 2019\, Joseph released his first solo recording on Orchid Classics\, surveying Brahms’ works for clarinet with piano and ‘cello with Somi Kim and Yoanna Prodanova. The disc was a Classic FM ‘Album of the Week’\, and hailed by Gramophone for its ‘stormy grandiloquence’ and ‘twilit poetry’.\nJoseph studied at Wells Cathedral School with Kevin Murphy\, Timothy Orpen and David Campbell\, before reading Music at Gonville and Caius College\, Cambridge University\, graduating with double First Class honours. He then studied with Angela Malsbury\, Mark van de Wiel and Chi-Yu Mo at the Royal Academy of Music\, where he graduated with Distinction and the DipRAM. \n  \nBorn in Wales\, Ben Talton studied with Sharon McKinley and Alexander Baillie before attending the Yehudi Menuhin School to study with Thomas Carroll. He received a Scholarship to study at The Guildhall School of Music and Drama under Louise Hopkins\, kindly supported by Help Musicians UK and The Countess of Munster Trust. He was awarded The Suggia Gift by Help Musicians UK\, The David Goldman Award from The Worshipful Company of Musicians and was the recipient of the John Fussell and Raphael Sommer Awards. Ben is a Concordia Foundation Artist\, a Park Lane Group Artist and a Yeomen of The Worshipful Company of Musicians.\nBen has performed in venues and Festivals such as Cadogan Hall\, Wigmore Hall\, St Martin-in-the-Fields\, St John’s Smith Square\, St James’s Piccadilly Church\, West Road Concert Hall in Cambridge\, Wales Millennium Centre\, Cowbridge Music Festival\, Casa da Musica in Porto\, the Tonhalle in Zurich\, the Muziekegebouw in Amsterdam and the Walt Disney Concert Hall in Los Angeles.\nBen is Artistic Director of the Llantwit Major Chamber Music Festival and is assistant teacher to Steffan Morris at The Royal Welsh College of Music and Drama. He regularly performs Chamber Music Concerts across Wales for Sinfonia Cymru. \n  \nFreya Goldmark begun playing the violin at age 4 after begging her parents for lessons. Now aged 23\, Freya graduated from the Royal College of Music in 2018 where she studied as a Foundation Scholar with her long time professor Maciej Rakowski. Since making her concerto debut aged just 13 in Russia at the Rachmaninov Institute\, she has enjoyed a busy career having performed as a soloist at many esteemed UK venues including Cadogan Hall\, Elgar Room Albert Hall\, Fishmongers Hall\, Mansion House and the Purcell Room\, Southbank.\nBy the age of 14 Freya had performed in Hong Kong\, Penang\, Kuala Lumpur\, Bangkok\, Russia\, Norway and Germany. Freya works regularly with a number of English orchestras. 2021/2022 highlights include performances of Beethoven’s Violin Concerto and a performance of Karl Goldmark’s violin concerto with Oxford Symphony Orchestra.\nHaving always loved chamber music\, it continues to become increasingly important to Freya. As a chamber musician she has performed at Wigmore Hall and Elgar Room\, Albert Hall as well as premiering and recording Britten’s early String Quartets at The Red House\, Aldeburgh and performing at Sandringham House for HRH Prince Charles.\nFreya is the director of Stamford International Music Festival which she founded 5 years ago and in 2019 joined CSM as Festival Director. \n  \nThe intelligence and warmth with which the pianist Bengt Forsberg approaches music is clear\, no matter what he does. Bengt makes the undertones of music truly vibrate. As a soloist and chamber musician\, he eagerly tracks down wonderful music that the less spry hands of music history have overlooked.\nBengt was born in Edsleskog in 1952. He first sought to train as an organist\, but later changed to piano. After continuing his piano studies in Copenhagen and London\, he embarked upon a career as a concert pianist\, with his repertoire frequently including such relatively unknown and challenging composers as Charles Alkan and Kaikhosru Sorabji. For many years Bengt has been Anne Sofie von Otter’s loyal musical companion in an extensive series of notable recordings for Deutsche Grammophon\, for example. The acclaimed album Neglected works for piano presents a wide range of works by composers who have undeservedly remained unheard\, including Amy Beach\, Vítĕzslava Kaprálová\, Ruth Sofia Almén\, and Grażyna Bacewicz.
URL:https://cambridgesummermusic.com/event/late-night-messiaen/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/04/End-of-Time-4tet-16x9-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210722
DTEND;VALUE=DATE:20210723
DTSTAMP:20210823T100008Z
CREATED:20210416T123424Z
LAST-MODIFIED:20210823T100008Z
UID:224376-1626912000-1626998399@cambridgesummermusic.com
SUMMARY:Chausson: Concert for Violin\, String Quartet & Piano
DESCRIPTION:Freya Goldmark (solo violin)\nBengt Forsberg (piano)\nCharlotte Saluste-Bridoux (violin)\nLorraine Campet (violin)\nPierre-Antoine Codron (viola)\nTom Almerge-Zerillo (cello)\n6:00pm\, £18\, Free for 25 and Under\n  \nMozart String Quartet No.19 in G Major K.465 ‘Dissonance’\nChausson Concert for Violin\, Piano and String Quartet \nConcert duration 1 hour 10 minutes \n\nBeginning this evening of chamber music is the Quatuor Confluence with Mozart’s String Quartet in G Major K.465. Nicknamed “Dissonant” because of its fascinatingly chromatic Adagio introduction\, which finally explodes into a dramatically driven Allegro in bright C major\, Mozart’s K.465 is undoubtedly one of his most celebrated String Quartets. \nThe Quartet will then be joined by Festival Director\, Freya Goldmark and Swedish pianist\, Bengt Forsberg for a performance of Ernest Chausson’s ‘Concert for Violin\, Piano and String Quartet’. \nViolinists know Chausson as the composer of the Poème; singers\, for the well-worn mélodie Le Temps des lilas. Fans of Debussy know him as the big-brotherly benefactor who helped the struggling composer over many a financial hurdle in the early 1890s; and everyone seems to know of his untimely death in a bicycle accident.\n“Never have I had such a success! I can’t get over it. Everyone seems to love the Concert.” Ernest Chausson wrote this joyous comment in his diary after the premiere of his Concerto in D Major for Violin\, Piano\, and String Quartet\, Op. 21 in Brussels in 1892. It was the composer’s first critically acclaimed work. It is an amazing\, emotionally charged composition\, constructed meticulously; a masterpiece of cohesion and instrumental colour.
URL:https://cambridgesummermusic.com/event/mozart-chausson/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/05/I2A1820.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210720T200000
DTEND;TZID=Europe/London:20210720T210000
DTSTAMP:20210823T095947Z
CREATED:20210413T152812Z
LAST-MODIFIED:20210823T095947Z
UID:223813-1626811200-1626814800@cambridgesummermusic.com
SUMMARY:Gavin Bryars: Jesus' Blood Never Failed Me Yet
DESCRIPTION:Gavin Bryars (bass)\nMorgan Goff (viola)\nNick Cooper (cello)\nAudrey Riley\, (cello)\nOrlanda Bryars\, (cello)\nJames Woodrow (electric guitar)\n8:00pm\, £16\, Free for 25 and Under\n  \nBryars Lauda Dolçe I 6’\nBryars Ramble on Cortona 12’\nBryars Lauda Dolçe II 4’\nBryars Jesus’ Blood Never Failed Me Yet 25’\nBryars Epilogue from Wonderlawn (6’) \nConcert duration 1 hour \n\nThe second of two performances by Gavin Bryars and the GB Ensemble sees a live performance of perhaps Bryars’ most celebrated work – Jesus’ Blood Never Failed Me Yet \n“a beautiful work minimalist in its basic musical language\, but universal in its message and impact.” Gramophone Magazine \nComposed by Bryars in 1971\, Jesus’ Blood Never Failed Me Yet is based around a 26 second recording of a nameless rough sleeper singing outside Waterloo Station. Rich harmonies\, comprising of strings\, are gradually overlaid over the loop creating an immersive and very moving experience. \n“What makes Jesus’ Blood Never Failed Me Yet such a lasting treasure is that\, through it\, a nameless old man continues to live” The Guardian
URL:https://cambridgesummermusic.com/event/gavin-bryars-ensemble-2/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/05/shutterstock_1117924043-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210720
DTEND;VALUE=DATE:20210721
DTSTAMP:20210823T100015Z
CREATED:20210504T230000Z
LAST-MODIFIED:20210823T100015Z
UID:224742-1626739200-1626825599@cambridgesummermusic.com
SUMMARY:Gavin Bryars: Sinking of the Titanic
DESCRIPTION:Gavin Bryars (bass)\nMorgan Goff (viola)\nNick Cooper (cello)\nAudrey Riley\, (cello)\nOrlanda Bryars\, (cello)\nJames Woodrow (electric guirar)\n6:00pm\, £16\, Free for 25 and Under\n  \nBryars Lauda con sordino 12’\nBryars The Flower of Friendship 12’\nBryars Added Time 6’\nBryars The Sinking of the Titanic 30’ \nConcert duration 1 hour \n\nIn the first of two performances by Gavin Bryars and his ensemble you will be treated to a rare live rendition of one of his most famous works – The Sinking of the Titanic \nInspired by the story that the band on the RMS Titanic continued to perform as the ship sank in April 1912\, it recreates how the music performed by the band would reverberate through the water some time after they ceased performing. Composed between 1969 and 1972\, the work is now considered one of the classics of British experimental music.
URL:https://cambridgesummermusic.com/event/gavin-bryars-ensemble/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/04/Gavin-Bryars-16x9-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210719
DTEND;VALUE=DATE:20210720
DTSTAMP:20210823T095940Z
CREATED:20210407T150914Z
LAST-MODIFIED:20210823T095940Z
UID:223782-1626652800-1626739199@cambridgesummermusic.com
SUMMARY:Bengt Forsberg: Bridge to Barraine
DESCRIPTION:Bengt Forsberg (piano)\n6:00pm & 8:00pm\, £18\, Free for 16 and Under\n  \nFrank Bridge Piano Sonata \nCharles V Alkan Prière (Prayer) F major from 13 Prières op 64\nCamille Saint-Saëns Valse Nonchalante op 110\nEmmanuel Chabrier Idylle from Dix Pièces pittoresques (Ten picturesque pieces)\nGabriel Fauré Barcarolle no 10 op 104:2\nCécile Chaminade Étude mélodique op 118\nDéodat de Séverac ”Où l’on entend une vielle boite a musique” (”In which/(Here) you can hear an old musical box”) from En Vacances\nFrancis Poulenc Intermezzo in A flat\nElsa Barraine Prélude \nConcert duration 1 hour \nThis performance will happen twice \n\nThe Swedish pianist Bengt Forsberg is widely known as an accompanist to Swedish mezzo soprano Anne Sofie von Otter and other prominent singers. As a soloist\, he is noted for unearthing and performing neglected repertory. \nForsberg was born July 26\, 1952\, in Edleskog\, Sweden. He attended the Royal Academy of Music in Gothenburg\, intending to become a church organist\, but switched to piano and graduated in 1978. He moved abroad for further study\, working with Herman D. Koppel in Copenhagen and Peter Feuchtwanger in London. He made his name as a soloist\, sometimes in music that was both difficult and unfamiliar: he performed Nikolai Medtner’s Piano Concerto No. 2\, Op. 50\, with the Stockholm Philharmonic in 1999\, and his solo repertory includes works of such composers as Charles Alkan and Kaikhosru Sorabji as well as standard French works. \nForsberg has recorded several works by Saint-Saëns for the Hyperion label\, and he has also issued recordings of music by Charles Koechlin\, Léon Boëllmann\, and Erich Wolfgang Korngold\, among others. \nForemost among his many collaborations has been that with von Otter; their recording association began in 1989 with an album of songs by Jan Sibelius and has continued prolifically touching not only on Scandinavian repertory but on such novelties as songs by French composer Cécile Chaminade. \nForsberg has also joined instrumentalists in duets and trios\, recording music by the little-known Swedish composer Amanda Maier with violinist Cecilia Zilliacus and viola-and-piano music by York Bowen with British violist James Boyd.
URL:https://cambridgesummermusic.com/event/bridge-to-barraine/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/05/Bengt-Forsberg-16x9-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210718T170000
DTEND;TZID=Europe/London:20210718T183000
DTSTAMP:20210823T095940Z
CREATED:20210407T145728Z
LAST-MODIFIED:20210823T095940Z
UID:223773-1626627600-1626633000@cambridgesummermusic.com
SUMMARY:Bach: Cello Suites 4-6
DESCRIPTION:Robert Max (Cello)\n5:00pm\, £16\, Free for 16 and Under\n  \nJ.S.Bach Suite No. 4 in E♭ major\, BWV 1010\nJ.S.Bach Suite No. 5 in C minor\, BWV 1011\nJ.S.Bach Suite No. 6 in D major\, BWV 1012 \nConcert duration is 90 minutes \n\nJoin cellist Robert Max for the second concert in a voyage through all of Johann Sebastian Bach’s six Cello Suites. Little known until they were brought to public notice by cellist Pablo Cassals\, they are considered one of Bach’s greatest musical achievements. Robert will be playing five of the suites on a Stradivarius cello dating from 1726 known as the Comte de Saveuse\, and the sixth on a five-stringed cello\, as requested by the composer. \nRobert is the cellist of the Barbican Trio\, principal cellist of the London Chamber Orchestra and conductor of the North London Symphony Orchestra and Oxford Symphony Orchestra. He has performed cello concertos with many leading orchestras\, including the BBC Concert Orchestra and the London Mozart Players.
URL:https://cambridgesummermusic.com/event/bach-cello-suites-456/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/04/Robert-Max-16x9-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210718T150000
DTEND;TZID=Europe/London:20210718T160000
DTSTAMP:20210823T095940Z
CREATED:20210407T145728Z
LAST-MODIFIED:20210823T095940Z
UID:223774-1626620400-1626624000@cambridgesummermusic.com
SUMMARY:Bach: Cello Suites 1-3
DESCRIPTION:Robert Max (Cello)\n3:00pm\, £16\, Free for 16 and Under\n  \nJ.S.Bach Suite No. 1 in G major\, BWV 1007br />\nJ.S.Bach Suite No. 2 in D minor\, BWV 1008\nJ.S.Bach Suite No. 3 in C major\, BWV 1009 \nConcert duration is 60 minutes \n\nJoin cellist Robert Max for the first concert in a voyage through all of Johann Sebastian Bach’s six Cello Suites. Little known until they were brought to public notice by cellist Pablo Cassals\, they are considered one of Bach’s greatest musical achievements. Robert will be playing five of the suites on a Stradivarius cello dating from 1726 known as the Comte de Saveuse\, and the sixth on a five-stringed cello\, as requested by the composer. \nRobert is the cellist of the Barbican Trio\, principal cellist of the London Chamber Orchestra and conductor of the North London Symphony Orchestra and Oxford Symphony Orchestra. He has performed cello concertos with many leading orchestras\, including the BBC Concert Orchestra and the London Mozart Players.
URL:https://cambridgesummermusic.com/event/bach-cello-suites-123/
LOCATION:West Road Concert Hall\, 11 West Rd\, Cambridge\, CB3 9DP\, United Kingdom
CATEGORIES:Evening Concert,Summer Festival
ATTACH;FMTTYPE=image/jpeg:https://cambridgesummermusic.com/wp-content/uploads/2021/07/robert-max-selling-fast.jpg
END:VEVENT
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